Performance
Sound

Rush was on a roll. After the celebrated Canadian trio had finally broken through the FM ether with 1976’s dystopian statement piece 2112, they took the next evolutionary sonic turn with 1977’s expansively majestic A Farewell to Kings. The following year, Rush rotated the screws once again by taking their proto-prog metal to the headiest of limits on 1978’s Hemispheres, their final mind-altering statement of the Me-So-Introspective Decade before shedding their muso-skins yet again with 1980’s forward-thinking Permanent Waves.