“OMG, it’s music” is the first thing I wrote down in this room. “So much of what I’ve missed at this show is here.” On master recordist Peter McGrath’s live 24/88.2 MQA recording of pianist Benjamin Grosvenor playing the Sarabande from Bach’s French Suite No.5, I heard the natural ring of his piano’s top notes resounding and decaying in an uncannily realistic depiction of a large, open venue. Given that plans to attend Grosvenor’s performance at the Chicago Symphony Orchestra on Saturday night were scrapped due to the musician’s strike, this was certainly the next best thing.… Read the full article